Monday, November 11, 2013

Just A Little While To Stay Here: John Sinclair Radio Show 521

Posted in: John Sinclair, John Sinclair Radio Show, Radio Free Amsterdam

Episode 521 is emanating from my regular stand at the 420 Cafe in Amsterdam, but contrary to my plans I’ll be leaving here tomorrow to stay in London until (and after) our Cannabis Cup party at the Akhnaton November 24. I learned when I arrived in the Netherlands yesterday that I’ve overstayed my welcome in he European Zone for the current six-month period that started with my arrival for the summer on June 21, so right now I’ve got two days left of the 90 allowed and I’ll have to return in two weeks to enjoy them here. Meanwhile I’ll be holed up at housedem.com in London, home of The Fuck You Sound, thanks to Caleb Selah & Co. Tonight at the 420 I’m playing music by the ReBirth Brass Band, tunes from Detroit by the Planet D Nonet, the Flying Crowbars, the Butler Twins, and Laith Al-Saadi; music from Holland by the Misha Mengelberg/Piet Noordijk Quartet; tunes I picked up in Portland ME by Angelica Sanchez and Melanie De Biasio; three cuts from my forthcoming Ironman album called Mohawk with Steve The Fly; and a send-off by Glen Andrews & the Lazy Six.

The John Sinclair Foundation Presents

JUST A LITTLE WHILE TO STAY HERE

JOHN SINCLAIR RADIO SHOW 521

420 Café, Amsterdam, November 9, 2013 [20-1345]

[01] Opening Music: ReBirth Brass Band: Just a Little While to Stay Here
[02] John Sinclair Intro, ID & Opening Comments
[03] Planet D Nonet: Island in the Sun
[04] Flying Crowbars: Shake Me
[05] Butler Twins: The Butler Jump
[06] Laith Al-Saadi: What It Means
[07] John Sinclair Comments
[08] Misha Mengelberg/Piet Noordijk Quartet: Sugar ‘n Spice
[09] Angelica Sanchez: 514
[10] Melanie De Biasio: The Flow
[11] John Sinclair Comments
[12] John Sinclair: Bloomdido
[13] John Sinclair: Mohawk
[14] John Sinclair: Carolina Moon
[15] John Sinclair Closing Comments & Outro
[16] Closing Music: Glen Andrews & the Lazy Six Over In The GloryLand

A JOINT PRODUCTION
Hosted by John Sinclair for Radio Free Amsterdam
Produced, recorded, edited & assembled by John Sinclair
Executive Producer: Sidney Daniels
Sponsored by Hempshopper & Ceres Seeds, Amsterdam
Special thanks to Sidney Daniels, Steve The Fly, Caleb Selah, and Sensi Seeds

© 2013 The John Sinclair Foundation

http://www.radiofreeamsterdam.com/just-a-little-while-to-stay-here-john-sinclair-radio-show-521/

Thursday, July 11, 2013

Blue Cotton: Fly By Night 16

http://www.radiofreeamsterdam.com/fly-by-night-16/

The John Sinclair Foundation Presents

BLUE COTTON

FLY BY NIGHT 16 WITH STEVE THE FLY

Fly Agaric 23 Studios, Amsterdam, May 13, 2013 [SFBN-0016]

[01] Lionel Batiste: My Blue Heaven
[02] Allen Toussaint: Blue Drag
[03] Sun Ra & His Arkestra: Hours After
[04] Otis Rush: Mean Old World
[05] Little Freddy King: Kinky Cotton Fields
[06] Earl Hooker: These Cotton Pickin’ Blues
[07] James Cotton: Cotton Crop Blues
[08] Sonny Boy Williamson: She Got Next To Me
[09] Lionel Batiste: The Prisoner Song
[10] Allen Toussaint/Fats Domino/Professor Longhair: Professor Longhair Blues
[11] Charles Mingus: Please Don’t Come Back From The Moon
[12] Miles Davis: I Could Write A Book
[13] Charles Olson: Mayan Letter no. 13
[14] Pharoah Sanders: Ocean Song

A JOINT PRODUCTION

Produced by Steve “Fly” Pratt for Radio Free Amsterdam
Edited & annotated by John Sinclair
Executive Producer: Sidney Daniels
Sponsored by Ceres Seeds & The Hempshopper, Amsterdam
- See more at: http://www.radiofreeamsterdam.com/fly-by-night-16/#sthash.Jazl6Vmw.dpuf

The John Sinclair Foundation Presents

BLUE COTTON

FLY BY NIGHT 16 WITH STEVE THE FLY

Fly Agaric 23 Studios, Amsterdam, May 13, 2013 [SFBN-0016]

A JOINT PRODUCTION

Off to the North Sea Jazz Festival in Rotterdam

John Sinclair and i are embarking on a tip to Rotterdam and the Jazz Festival. With luck we will make a few shows and have a ball, x fly

Monday, June 10, 2013

Mastering the new John Sinclair album near Birmingham (360 Panorama)

Framework Studio in England

Art ov the moment Albert Allstars (Steve Fly Ninja Jamm Mix)

Tuesday, May 21, 2013

Ninja Jamm

https://soundcloud.com/ninja-tune/sets/ninja-jamm

Credits
Ninja Jamm has been made by the people at Ninja Tune & Seeper.

Coldcut
Ed Kelly
Christian Curtis
Ariel Elkin
Aneek Thapar
Evan Grant
Andy Wallen
Chris Bradley
David Sweeney

http://ninjajamm.com/credits

4 and 20 beats

Kai 360

On April 1st 2013, I reconnected with my friend and mentor Kai Eckhardt and with the singer Sandhya Sanjana in Amsterdam to embark on a recording, tentatively titled 4 and 20 beat, due to its original 24 beat cycle sketched out by Kai.

The recording session was held at Quark studios in Amsterdam, where we gathered in the beautiful garden area of the studio and I explained my idea of creating a composition for a 360 panorama audio experiment. (Something along the lines of the website www.raw360.net that I have been developing alongside design scientist CHU).

Kai quickly understood my flow and sketched out an incredible 24 beat beat in his notebook. This syncopated poly-rhythmic loop acted as the frame upon which Sandhya and he applied matching vocal lines in the Indian spoken syllabic tradition.

In a bionic flurry of genius, Kai improvised a further nine overdubs, five on bass three on keyboards and one shaker loop. Each new overdub was a subdivision of the previous and some had a harmonic correspondence too resulting in a series of loops that are 24, 12, 8, 6, 4, 3, 2, and 1 beats long. Finally, Sandhya performed her soaring vocals and vitalized the twisting poly-rhythm with her long sustained focus.

Two days later Quark and I arranged the loops and composed a song: 4 and 20 beat. Next I painstakingly cut a series of 72 bars tracks (3 x 24), including some new drum loops and turntable parts and narrative, so together with CHU we started experimenting with feed the loops into our 360 panorama platform. Once again CHU innovated the possibilities of 360 degree audio space.

Thanks for all the genius and innovative thinking that have made this idea come into being. However, this is only the beginning of an on-going series of musical experiments, i intend to apply the original 'tracks' made by Kai and Sandhya into a panorama.

Steve fly

www.raw360/4and20

www.raw360.net

Sunday, February 17, 2013

My Panorama Photo of Kukulkan Pyramid, Mexico

Kukulkan Pyramid (El Castillo) and the press gang in Mexico x fly www.raw360.net

coming and going (for my grandma)

Coming and going
(Dedicated to my Grandma: Dec. 25^th, 1922 – Jan. 19^th, 2013).

Grandmothers are voices of the past
and role models of the present.—Unknown

and snow fallen
beauty-freeze at nine below
a chilling black & white portrait
of Amsterdam

to write to warm the heart
control the rhythm,
memories jig the lights
behind my eyelids

the canal framed by branches
my eyes open, I blink
life cogitates in the kernel
of death?
and beneath the ice

new seeds new soil and
things poised to bloom
& burst into
spring

seasons cycle
trans-energies charge
release relax,
beings coming & going

icicles
on my eyelash
you in a new form of energy
snow drifts hug
the window silly of my eye,
oh nana

wind and fog of thought
now solid ice, the dark what ifs’
a hand quilted sunrise blanket
coming & going maybe sad

both/and joyous
like crying signifies death
& birth
affixed to our inner walls
next

to the revolving doors
made whole in us all
to honour life in death
spread good virtue

being & non-being both
equal & opposite
thru an old frosted looking glass
we search

for sense friendship wisdom
unconditional love
in your honour like you taught us

from my thought you’re never far
now in loving memory
here to my beautiful Irish
Grandma

by Steven ‘fly’ Pratt
Amsterdam
19-23^rd January, 2013

Monday, December 17, 2012

DJ Fly's 'Turntable Method' Tribetablism

http://ettt.wikispaces.com/THE+TURNTABLES+OF+THE+TRIBE

"he just went heeltapping through the winespilth
and weevily popcorks that were kneedeep round his own right
royal round rollicking toper's table, with his old Roderick
Random pullon hat at a Lanty Leary cant on him--James Joyce, Finnegans Wake. 1922-1939.
http://www.lycaeum.org/mv/Finnegan/viewpage.cgi?page=381

Tribetablism v1.0

In November 2008, after relocating to Amsterdam I started work on what I thought would become my first Novel but soon transformed into a website and multimedia project including screenplays, video, poetry and a special principle that I have dubbed 'Tribetablism': In short an esoteric Turntable ceremony that enables the disk spinner to basically time-travel, and in my 'Tribetablism' Universe, the Disks are set for 1936 and a series of meetings and work outs between various characters from Dr. Wilson's tribe, mentioned at the back of his book TSOG, that I highly recommend you read again, and gain.

"In placing these striking and active images of notable personages on the wheel, Bruno is pursuing his aim of combining ithe classical art of memory with Lullism. The revolving wheels of the Lullian art have become the places for the reception of images.--Frances A. Yates. The art of memory, pg 219.

ALTABLISM.

(from Open Source History)

"At length, E. K. was willed to go down into his chamber, and I did remain still at our Dineing Table till his return, which was within an hour or somewhat more. And at his return this he brought in writing....--John Dee, 420.

"Three things that must be done before you do anything: Discover who you are, discover where you re in the universe, take steps to clean up and order your environment so you can begin the conquest of your universe. -- Lon Milo Duquette

ALTURNATABLISM.

"If such power , as experience suggests, is
latent (though rarely Released) in the simplest words,
one would like to characterise the words More exactly.
Are they the oldest? They ought to be somehow the core
of Language, identifiable by tracing its history backward. –Hugh Kenner, The Pound Era, page 108.

TOWARDS TURNTABLE METHODS FOR MASS-NOVEL CONSTRUCTION.

The Altable method devised upon extensive travels around Europe over the last four years, is a new method retrofitted for the specific purposes of a literary based historical working - concerning characters and their dialogue - arranged and spliced with each other using the Altable.

The goal of building a NOVEL using the Altable method is just one use and one focused project to help launch the idea, afterall, the software coded, pressed and sealed into the disks can be whatever the Altable operator wishes to work with. Here i will explore some avenues of Altable technology as a scientific research tool, by deconstructing the components and then reasembling them using biological and human physiological metaphors.

Traces made upon the surface of a lake by a finn, leg or a wing or impressions found in mud or wet clay, impressions left by a foot or hoof, a hair or a finger are possible Altable processes impressed into the landscape and readable by a suitable stylus, amplification process.

Recordings of processes in nature are translated by linguistic metaphors into a tale for us to reinterpret, and then a new image. Spacetime binding creatures are cutting their way through a given medium leaving traces, made by objects and recorded by the objects that made them.

Balance (x), Tone (y), Volume (z).

Disk Templates:

Astrological Charts. Harmonic Musical Intervals and Chords. Enochian. Chinese Ideogramic. CNS RNA/DNA Genetic. Periodic Table. Mayan Dresden Codex. Beth Luis Nion.

Disk Mediums:

Wax. Clay. Wood. Glass. Metal. Stone. Pearl. Flesh. Papyrus. Fungus. Perspex. Vinyl. Cuttle Fish bone. Calcium.

Etching agents:

Saliva. Water. Spice Dyes. Blood. Sperm. Dew. Coconut milk. Chalk-Calcium. Toad-slime. Venom. Ink. Tears.

(2). MICROPHONE WAND:

Fingers. Bones. Veins-cables. Hairs, Stems, Veins, Penis, snake, tongue, neck, limbs,Brush, Wand of fire. Totem. Table legs, SOUTH.

The tubular wand geometrical model of the Tribetable Universe itself: an elongated donut. A hollow Tube. An infinite string stretch off to infinity in both the macro and micro scales, putting human beings roughly mid way between these extreme conditions of the hollow halo. Within the secret chamber wells of each nerve, worm-hole, root, string, cable, tree trunk, and hair we find conditions and certain Oscillation rates depending on geometrical and other factors, that, are exploited and modified in various was by the microwand-phone of fire when in use.

The great totemacrophone contains the Altable Universe itself, or a scaled down copy of it, within its endless tube. (created by more mirrors and optical technology). The Butterly microphones or microphones with wings can flitter about the Altable area, or plug themselves into a nearby mixer interface. Redecorated as an attractive flower, where the tongue of the Butterfly links its hollow tube into a cosmology of inner blooming things. A collide-o-scope and phalanx of mysterious objects and beings as you will, for example.

(3). CUPS HEADPHONES:

Sockets. Mouth. Lungs. Skull. Nose Cavity. Boobs. Buttocks. Blow holes, mouth, coconut shell, jelly-fish, flowers.Pond Water. Mirror. Taste. Tongue. WEST.

The headphone Cups also attatch to the mixer interface like the macrophone, using a cable, vine-tube. They provide both audio and visual feedback windows into other timespaces under observation and manipulation. Used either together as stereo headphones that split a single character dialogue channel or macrophone recording or provide two further seperate screens that can either each play a stereo or mono channel.

Visually the Heaphone Cups double-up as doodle-goggles, the head strap that links the two hemispheres of the speaker-phones contain an organic liquid crystal screen that provides similar multi-stereo views and/or single editing windows, possibly used to animate specific characters and dialogue into the landscape space or scene. The headphone cups also have an attatchment that reaches into the mouth to access the tongue and taste centers for further attenuation and synesthesia of the senses. Sight, Sound, Taste, Touch, Smell. Various frequencies and rhythms are programed triggers for associated gases, vapours and pheromones to be released in the vicinity of the altable.

(4). STYLUS:

Teeth. Tongue. Finger. Penis. Eyelash. Hairs. Sword, beak, tusk, claw, antennae, sting, tip, crystal, Calcium Build up, Icicle, to Cut to split with knife-blade, Stylus Cutting head, NOSE-AIR. East.

The cutting and etching function of the Altable styli’ combines with the electromagnetic pick-up stylus making a read/write sword/pen that encodes things made available from the internet of things, its groove signiture or scratch pattern is the code for accessing the web based archives and sound-image-chemical Shermon-Torrents. The Rhythm, the sound and the colour, the form? Within the realm of biological nature , the muck on your shoe, here we find cutting ants, hammering birds, clawing mammals, A walrus tusk stabbing at the ice, beavers teeth, maybe knawing upon logs and trees fallen in a river.

(5). TURNTABLE:

Waist. Neck. Eyeballs. Rotating Platform. Ball and Socket joint. Slices off the Tube donut. Tortoise. Disk Platter. Tank turret. Axis. Omnidirectional Spirit.

Each component of the rotating Altable device are constructed from a sub group of elements, from the periodic table of elelments, and so on into fields and deeper into spirits, winds and back to stars. A backtoback cosmology of the manifest Universe. Gas exchange and invisible forces as light as the wind animate the disks: Change and fluid Rotorio. The Revolutionary process of Change and becoming remains changed. The rotating platforms within the Altable Universe are spacetime-tables for the sound spirit to congress around.

The PIVOT. The axis and the vortex, the measurable rotational rates, torque and breaking settings enable extra manipulation of the software, combined with the operators editing wisdom. Placed within the context of the magickal pentagram of five elements, the rotational qualities of the Altable functions enable read/write activity utilizing the Stylus, when used in conjunction with a Microphone. With the addition of some in/out portals for the headphones cups and macrophone wand the Altable - when HYPERLINKED - consists of the 4 main elements and itself as the fifth.

MCGRAPHIC' Novel Landscapes can be read/written and interpreted - processed in novel ways, such as using an elaborate system of optics and mirrors that can map, translate and calculate the truly cosmic equations of Universe subtracted from itself, when attached to the rotating platform at a precise frequency based upon the frequency of a flashing strobe light. This strobe light addition to the Plush 9.0 Altable turns the device, effectively into an audio/visual projector. We at Joint Plush Labs work on the other side of time. MPHDJ Pattern identity based on the resolution of opposites.

* Tablet Run* Bat Runlet * Tablet Urn * NU Art Belt * Battle Urn * Terntabul* Tale Burnt * Battle Run

Neuro-chemical Info-genetics, and Nano-scale cognition constructors are areas of Altable research Plush currently finds interesting and suggests independent researchers, thinl again,and pursue cognitve language tools with research based experiments. Rhythm patterns transcend any given medium from sound through light to the sense of the matter. VIBRATIONS ensure a full spectrum of considerations when trying to measure gas.

TURNTABLE COMPONENTS.

“every external phenomena is like a dream, like a vision, like a bubble, like shadow, like dew, like lightning, and should be regarded as such’ –From the Diamond Sutra.

Aiwass Switch [TTT on/off]
RPM selector [33/3, 45, 78]
Plank Platter [Base]
Gyre Spindle [Axis pivot of Silver Birch composite]
Shannon Strobe Light [Illuminating beam & holo-guidance system]
Pro-skate Dirac dial [To adjust needle-groove coordinates]
Einstylus [Obsidian/Volcanic Sillica/Diamond tipped]
Compton Cartridge [Transform needle vibrations into electromagnetic]
Tone Arm [Straight or S-shape]
Hubble Height Adjust [Raise/Lower a Dimensional tone-army]
Newtons Crewing lever [Lifts/drops tone arm]
Maxwell Pitch Control [Sliding adjust control for fine key mixing]
Jung Junktion Box [Portal connextion to external devices]
Wiener Wireless Port [Facilitates wireless bluetooth communication]
Hamilton Feet [Four adjustable feet/wheels for mobile activity]
Parsons Fly’t Case [Watertight coffin for transportation in various environs]
Neumann Dust Cover [Retractable transparent protective shielding]

ALTABLE-TRIBETABLE COMPONENTS 2.0

Disks contain nano-bio-cog information pressed and sealed for any particular altable working, in this case the 1936-2010 co-ordinates:

Disk 1. A-side: Giles Chase. B-side: R. Jacky Muller
Disk 2. A-Side: Ira Pod. B-Side: Carson Wools.
Disk 3. A-side: Cutler Bates. B-side: Manfred Humanski.
Disk 4. A-side: James Shermon. B-side: Sonny Bob.

Each disk has audio/visual information concerning a specific character and their networks within the tale. Their individual methods, drives, styles, forces cut the historical grooves into the present. The disks can be manipulated by the hands, feet, tongue or elbow of the MPHDJ operator.

Steering the Einstylus needle to intersecting points in spacetime, producing conversational fragments and bits of communication. Spin-back or forwards produce sound bites or map coordinate to be interpreted by the operator. By lifting the stylus-sword off and out of the groove and moving it along to the next track can produce a dimensional shift. The method of cutting and editing 'on-the-fly' with dialogue disks is under daily modification, and requires preparation and tedious disciplinary exercises to remain relative.

The method builds toward an efficient way to analyze any sentence or sequence of words in a novel creative Tribetablist' way, and so opening the gates of perception to new arrangements and possibilities. The table top design was a John Disk/Esther Trippleknit piece crafted from bio-organic components, as to perfectly intersect with the operators tribetable tools, and co-ordinate the historical characteristics under investigation.

Roughly the size of a squared pool table, the four legs of the altable are each individual tribetable Totems themselves consisting of heads and self regenerative designs stacked upon each other, to form correspondence with the other three legs and Hamiltonian Qarternion Mechanics.

ALTABLE TOOLS:

The first tools used are the Picture-Disks that consist of 4 double sided 11 inch wax sigils, each placed upon the four corners of the table in their corresponding elemental positions, while the keystone disk sits in the middle like a panopticon.

The second tool used is the Brush Microphone Wand BMW which functions as a multipurpose - rod shaped object - made up of different species of wood lamenated together. The wand has a tiny microphone speaker embedded within the tip and Ostrich hairs held in the opposite end which can be used for applying various textured and colored media. To anything at the table.

The third tool is an elaborately carved diamond tipped Toad-Fly stylus sword, the diamond tipped stylus needle is held by a silver cast fruit fly, which in turn is held in place by the tongue of a Gold cast Toad, the toad serves the function of the traditional stylus cartridge, the fly’s proboscis acts as the tip of the needle.

The fourth of theTribetable tools are the speaker drum cups. These fit into the table at critical nodes to process, amplify, translate, and mirror the signals they receive and transmit. Together, these tools and their correspondences within the historical tale, present a new-structure for the Novel to unfathom for itelf in the later editing and re-arrangement processes.

The Altable-Tribetable itself becomes a fifth element. The center piece of the research tabaltar, which all the other tools plug into in various ways at various moments modifying their function in imaginative ways. Beneath the material realm of mechanical and electromagnetic components an assortment of biological nano-scale chlorophyll projectors, tiny engines and processors are spewing liquid crystal coated spore-bricks and lucerferin inside micro-micro-droppers. Together the tiny machines read and write information from the symbol systems rotated beneath the plank scale to make Nano-Graff RSS feeds to the sub atomic realms.

Millions of Delicate and tiny photons are dispersed from the rim of the rotating platter called tsar-bits, the diamond tipped styli make analogous cuttings of these bits, calculated by using astrological coordinates, these processes continue way down beneath the range of natural human vision. The various maps, charts, and symbols systems from each of the major historical characters fit onto the platter area for the operator to manipulate, modulate, amplify, set into phase, make stereo, cut-up again, juggle, scribble, rewind, juggle, scratch.

The Tribtable itself turns the Microphone, Disks, Stylus, Speakers (MDSS), and these FIVE ELEMENTS outline the functional tools used for creating a TTOTT timespace machine.

John Sinclair at Hotel Shaghai, Essen, Germany.

Ninja Jamm (Forthcoming killer APP from Ninjatune)

I have been very fortunate to be 'flight testing' the new APP from Ninjatune called NINJAJAMM. (on my I-Pad) I've a full review brewing, and with luck it will be published in the new year along with the public release of the killer app.

In the meantime, here's the official page with postings and audio/video teaser/treats. Wicked.

--fly

http://tumblr.ninjajamm.com/

Ninja Jamm is a work in progress and we want to let you in on the story...To tease you we'll be putting up some screens from the app over the coming days...

Questions / Info / Ideas? Get in touch: info [at] ninjajamm [dot] com

DJ Fly Agaric 23 SHOWS hosted at Radio Free Amsterdam

Fly By Night Shows at Radio Free Amsterdam

Monday, October 8, 2012

Doctor Marshmallow Cubicle Sampler

Fly By Night 06 Radio Free Amsterdam

http://www.radiofreeamsterdam.com/fly-by-night-with-steve-the-fly-06/

Fly By Night with Steve The Fly 06

POSTED IN: FLY BY NIGHT, RADIO FREE AMSTERDAM, ROBERT ANTON WILSON, STEVE FLY

The John Sinclair Foundation Presents

COZCON: Fly By Night with Steve The Fly 06

Fly Agaric Studions, Amsterdam, Septenber 26, 2012 [SFBN-0006]

[01] Roberr Anton Wilson: Corporate Government

[02] Alan Moore & Gary Lloyd: This Is Not A Dream

[03] Pharoah Sanders: Ocean Song (Part 1)

[04] Roberr Anton Wilson: P2

[05] Boozoo Chavis: Dog Hill

[06] Earl King: Am I Your Dog (Part 1)

[07] Leigh Harris: Dog Days

[08] Illuminatus Trilogy Audio: The Conspiracy -

[09] Sun Ra & His Arkestra: Tiny Pyramids

[10] Roberr Anton Wilson: Android

[11] Charlie Parker: Cosmic Rays

[12] Roberr Anton Wilson: Star Wars

[13] Bob Marley: War

[14] Otis Rush: Gamblers Blues

[15] Thelonious Monk: Smoke Gets In Your Eyes

[16] Roberr Anton Wilson: Pot Music

[17] The Fugs: Marijuana

[18] Doctor Marshmallow Cubicle: Coffeeshopalypse

[19] Pharoah Sanders: Ocean Song (Part 2)

[20] Illuminatus Trilogy Audio: The Conspiracy

[21] Lalo Schifrin: Floodlights

[22] Sun Ra & His Arkestra: Discipline 27 li

[23] John Sinclair with Beatnik Youth: That Old Man

[24] Archie Shepp: Mama Too Tight

A JOINT PRODUCTION

Produced by Steve “Fly” Pratt for Radio Free Amsterdam

Edited, assembled & annotated by John Sinclair

Executive Producer: Sidney Daniels

Sponsored by Ceres Seeds & The Hempshopper, Amsterdam

Fly By Night with Steve The Fly 06 [ 1:00:00 ] Hide Player | Play in Popup | Download (16)

Monday, November 11, 2013

JUST A LITTLE WHILE TO STAY HERE

JOHN SINCLAIR RADIO SHOW 521

420 Café, Amsterdam, November 9, 2013 [20-1345]

Thursday, July 11, 2013

BLUE COTTON

FLY BY NIGHT 16 WITH STEVE THE FLY

Fly Agaric 23 Studios, Amsterdam, May 13, 2013 [SFBN-0016]

A JOINT PRODUCTION

BLUE COTTON

FLY BY NIGHT 16 WITH STEVE THE FLY

Fly Agaric 23 Studios, Amsterdam, May 13, 2013 [SFBN-0016]

A JOINT PRODUCTION

Monday, June 10, 2013

Tuesday, May 21, 2013

Credits

Sunday, February 17, 2013

Monday, December 17, 2012

Tribetablism v1.0

ALTABLISM.

ALTURNATABLISM.

TOWARDS TURNTABLE METHODS FOR MASS-NOVEL CONSTRUCTION.

Balance (x), Tone (y), Volume (z).﻿

Disk Templates:

Disk Mediums:

Etching agents:

(2). MICROPHONE WAND:

(3). CUPS HEADPHONES:

(4). STYLUS:

(5). TURNTABLE:

TURNTABLE COMPONENTS.

ALTABLE-TRIBETABLE COMPONENTS 2.0

ALTABLE TOOLS:

Fly By Night Shows at Radio Free Amsterdam

Monday, October 8, 2012

Balance (x), Tone (y), Volume (z).